News
Imázsia at the Berlinale – Subjective
This year has got off to a really exciting start: following Tony Leung’s press conference, the Berlin International Film Festival
Follow the action, see what's happening in the world of Imagery!
This year has got off to a really exciting start: following Tony Leung’s press conference, the Berlin International Film Festival
On 26 January 2026, the cast and crew of the film *The Silent Friend* held a press conference in Budapest. Among those present at the event were
On 6 January 2026, the film world was shocked to learn of the death of Hungarian film director Béla Tarr. The unique
For the second time, we were invited to the often referred to as “East Hawaii”
We are preparing a real film novelty and two outstanding films of this year's Imázsia Chinese Film Week for the Szeged
On 21 October, we organised the first screening of the Imagery Film Club in cooperation with the Budapest Chinese Cultural Centre,
We are delighted that this year's Imagery Chinese Film Week was covered by so many media! Thank you for the many
The Imagery Film Club will be launched this year, with its first screening in Budapest on 21 October,
Imagery Chinese Film Week has been invited to China's oldest film festival, the 20th edition of the
A Hungarian film was also screened at the Changchun Film Festival. Three screenings were held in the framework of the Hungarian Film Showcase
Dr. Viktória Váradi, the main organizer of the Imázsia Chinese Film Week, has been invited to the 20th Changchun International Film Festival,
Dr. Viktória Váradi, the main organizer of the Imázsia Chinese Film Week, has been invited to the 27th Shanghai International Film Festival,
On 24 May, the 2025 Imagery Chinese Film Week will kick off, offering a taste of new releases and a selection of Chinese cinema from the past decades.
On 7 April 2025, the main organiser of the Imagery Chinese Film Week signed a Memorandum of Understanding in Budapest.
Audiences stormed the Budapest cinema for Ne Zha 2! Sold out in a few hours
It aims to give a comprehensive picture of the past and present of the Chinese audience in China and the